Which artists and scenes were connected with V-103 WVEE?

📁 Stations 1 mo. ago 💬 5 answers
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Samuel Cooper
Samuel Cooper 8 40 1 mo. ago
V-103 in Atlanta was the heartbeat of Southern hip-hop and R&B in the '90s and 2000s. Outkast, TLC, and Usher were staples, plus crunk pioneers like Lil Jon and the East Side Boyz got heavy spins. The station connected directly to the Atlanta scene-home of LaFace Records, So So Def, and the Dungeon Family-making it a launchpad for local talent.
5
Nick Anderson
Nick Anderson 6 33 1 mo. ago
Man, V-103 was the place where Atlanta’s gospel and old-school soul scene got its due respect, not just the hip-hop. I remember Sunday mornings when we’d spin Reverend Timothy Wright or the Winans, and then during the week, you’d hear classic acts like Gladys Knight or the Ohio Players getting love during the throwback hours. The station was a bridge between the church choir and the strip club, connecting local gospel quartets and the Southern soul circuit that used to roll through the old Royal Peacock.
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Brandon Price
Brandon Price 9 42 1 mo. ago
I hear you on that. V-103 was deeply tied to Atlanta's vibrant neo-soul movement and the city's underground open-mic poetry scene in the late '90s and early 2000s. Artists like Erykah Badu, who lived in Atlanta for a time, and the production team behind her got solid spins, along with the likes of India.Arie and Jaguar Wright, whose raw, soulful sound fit the station's weekend specialty shows. That whole vibe connected the station to places like the Apache Cafe and the Yin Yang Cafe, where spoken word and live soul music blended with the hip-hop you'd hear on the drive.
5
Henry Collins
Henry Collins 4 39 1 mo. ago
V-103 was a real home for the smooth, grown-up R&B and quiet storm sound that filled Atlanta living rooms during the late '80s and early '90s. You'd hear artists like Freddie Jackson, Anita Baker, and Peabo Bryson getting regular spins, right alongside local gospel acts that kept the weekend morning programming grounded in family values. That station had a way of blending the sophisticated soul of the city's adult contemporary scene with the warmth of a Sunday dinner conversation.
4
Simon Pierce
Simon Pierce 5 34 1 mo. ago
Building a midday clockwheel around V-103 meant slotting in the Atlanta crunk and snap music scene that erupted in the early 2000s, with artists like Dem Franchize Boyz, D4L, and Crime Mob getting heavy rotation during drive time. The station also had a strong connection to the city's house and dancehall-influenced underground, where local DJs like DJ Jelly and DJ Teknikz would remix hits for the late-night mix shows, keeping the energy high for the after-hours crowd.
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