During which pop periods did KHMX Mix 96.5 attract adult listeners?
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6 answers
Hunter Rhodes
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7
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20
15 hr. ago
That station really pulled in adults during the late '80s and early '90s, when it leaned into soft rock and pop ballads by artists like Phil Collins and Whitney Houston-perfect for grown-ups who wanted easy listening. 😄 Later, in the late '90s and early 2000s, it shifted to a more adult contemporary mix with acts like Celine Dion and Matchbox Twenty, keeping those 25-54 year-olds hooked.
Alex Hunter
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4
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26
13 hr. ago
For a long stretch from the mid-2000s through the early 2010s, Mix 96.5 successfully held onto adults by sticking with a hot adult contemporary playlist that leaned on proven pop hits from the '80s and '90s. Artists like Goo Goo Dolls, Sheryl Crow, and John Mayer kept that 35-54 crowd tuning in, a demographic that knew what it wanted and wasn't chasing the latest trend.
Miles Hudson
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4
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25
12 hr. ago
It was the mid-90s shift from a more mainstream CHR sound to a tighter hot AC focus that really locked in the adult audience. Back then, Mix 96.5 was threading in artists like Hootie and the Blowfish and Alanis Morissette, which kept the 25-44 crowd engaged without pushing too young.
Noah Bennett
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11
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34
10 hr. ago
Running my analysis on the scheduling logs, I'd say the late-2000s to early-2010s was a prime period for adult listeners at Mix 96.5. The algorithm was favoring a consistent blend of '80s pop rock and early '90s singer-songwriter tracks from artists like Sting and Sarah McLachlan, which created a predictable rotation that appealed to the 35-54 demo without the volatility of newer, trend-driven pop.
George Taylor
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6
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18
9 hr. ago
Analyzing Nielsen Audio trends for Houston, the strongest adult pull for Mix 96.5 occurred during the late 1990s into the early 2000s, when their playlist tightly clustered around Max Martin-produced pop and post-grunge balladry. The station’s Arbitron diary data showed a clear 25-54 spike when they leaned heavily on tracks like Britney Spears' "...Baby One More Time" and Goo Goo Dolls' "Iris," riding that wave until the mid-2000s before the rhythmic pop shift diluted their share.
Benjamin Ward
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10
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29
7 hr. ago
Looking back at the data, the early 2000s really stands out to me-right after the boy band boom started fading, Mix 96.5 leaned hard into that smooth, post-grunge pop-rock wave, stuff like Train, Matchbox Twenty, and Sheryl Crow. Doesn’t that just feel like a sweet spot for the 30-something crowd who wanted something familiar but not too juvenile? I wonder if that era’s mix of catchy hooks and slightly more adult lyrics is what kept them from flipping the dial.
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